| OPERA
ENGAGEMENTS |
|
Argento
|
Bass
roles
|
POSTCARD
FROM MOROCCO
|
Chamber
Opera of Boston, MA
|
|
Bizet
|
Le
Majordome
|
LA
JOLIE FILLE DE PERTH
|
L’Opera
Francais de New York, Alice Tully Hall, Lincoln Center
(Yves Abel, Cond.)
|
|
Bizet
|
Dancairo
|
CARMEN
|
Central
City Opera, CO (Stephen Crout, Cond.)
|
|
Britten
|
Starveling
|
A
MIDSUMMER NIGHT’S DREAM
|
Piccolo Teatro dell’Opera, NY (Anton Coppola, Cond.)
|
|
Britten
|
Noye
|
NOYE’S
FLUDDE
|
St.
Paul’s Chamber Orchestra, Boston
|
|
Donizetti
|
Don
Pasquale
|
DON
PASQUALE
|
Tacoma
Opera, WA (David Bartholomew, Dir., Benton Hess, Cond.)
|
|
Glass
|
Laughing
Sun
|
THE
WITCHES OF VENICE +
|
Philip
Glass/Euphorbia Prod./LaScala Corps de Ballet, NY
|
|
Glück
|
Arcas
|
IPHIGENIE
EN AULIDE
|
L’Opera
Francais de New York at Alice Tully Hall
|
|
Handel
|
Somnus/Cadmus
|
SEMELE
|
Anchorage
Opera, AK (Chas Rader-Shieber, Dir.)
|
|
Haydn
|
Creonte
|
L’ANIMA
DEL FILOSOFO (“Orfeo”)
(Excerpts)
|
Bard
Music Festival, NY (Leon Botstein, Cond.)
|
|
Haydn
|
Nanni
|
L’INFEDELTA
DELUSA
|
Bard
Music Festival/American Symphony Orch.
|
|
Hoiby
|
Sebastian
|
THE
TEMPEST (Workshop)+
|
Des
Moines Metro Opera (Robert Larsen, Cond.)
|
|
Kalmanoff
|
Ichneumon
Fly
|
THE
INSECT COMEDY +
|
Center
for Contemporary Opera, NY, (Lou Galterio, Dir.)
|
|
Menotti
|
Melchior
|
AMAHL
& THE NIGHT VISITORS
|
Merrimack
Lyric Opera, MA
|
|
Menotti
|
Lavendar
Gas
|
HELP!
HELP! THE GLOBOLINKS!
|
Isabella
Stewart Gardner Museum, Boston
|
|
Menotti
|
Bob
|
THE
OLD MAID & THE THIEF
|
Chamber
Opera of Boston, MA (Patricia
Weinman, Dir.)
|
|
Mozart
|
Papageno
|
DIE
ZAUBERFLÖTE
|
Abilene
Opera, TX, (Louis Burkot, Cond.);
Teatro Lirico d' Europa (Musica
2001 France & Spain tours);
Rimrock Opera (Billing, MT)
|
|
Mozart
|
Die
Sprecher
|
DIE
ZAUBERFLÖTE
|
Boston
Baroque (Martin Pearlman, Cond.)
|
|
Puccini
|
Colline
|
LA
BOHÈME
|
Abilene
Opera, TX (Louis Burkot, Cond.,
Ron Luchsinger, Dir.)
|
|
Puccini
|
Marco
|
GIANNI
SCHICCHI
|
Metropolitan
Opera Guild, NY (Amy Kaiser, Cond.)
|
|
Puccini
|
Sacristan |
TOSCA |
Prism
Opera Showcase, NY (George Garrett Keast, Cond.)
|
|
Purcell
|
Aeneas
*
|
DIDO
AND AENEAS
|
Mark
Morris Dance Group, BAM, NY; (Nicholas McGegan, Cond.)
|
|
Rossini
|
Dandini
|
LA
CENERENTOLA
|
Oswego
Opera Theater, NY
|
|
Shostakovich
|
Speculant
|
THE
NOSE
|
The
Santa Fe Opera (Edo de Waart, Cond.)
|
| |
|
|
|
|
*
Cover |
+
Premiere |
|
| |
|
|
|
| OPERETTA/THEATER
ENGAGEMENTS |
|
|
|
.
. . .
|
Soloist
|
AFTER
THE LION ROARED: Great
Songs from Great Movies
|
Harmony Hall
Regional Center, MD; various New York area cabaret venues |
|
.
. . .
|
Soloist
|
OPERA
BUFFA:
Comedy on Stage
|
Lincoln Center “Meet the
Artists”, NY
|
|
.
. . .
|
Soloist
|
SHALL
WE DANCE:
Great Duets from the Best of Broadway
|
Abilene Philharmonic, TX (Shinik
Hahm, Cond.)
|
|
.
. . .
|
Soloist
|
MUSICAL CONFECTIONS:
Opening Night Gala
Music of Berlin, Gershwin, Porter
|
Anchorage Opera
|
|
Barab
|
Aaron Blunder
|
THE
TOY SHOP
|
Baltimore Opera Touring Theatre
|
|
Bernstein
|
Maximillian
|
CANDIDE
|
Oswego Opera Theatre, NY
|
|
Bernstein
|
Chip
|
ON
THE TOWN
|
Westfield Symphony, NJ (Brad
Keimach, Cond.)
|
|
Charlap/Styne
|
Captain Hook |
PETER
PAN |
Abilene Opera
(Denis Segond, Cond., Ron Luchsinger, Dir.) 2006 |
|
Friml
|
Hard Boiled Herman
|
ROSE-MARIE
|
Central City Opera, CO (Dorothy
Danner, Dir.; Francis Graffeo, Cond.)
|
|
Gesner
|
Snoopy
|
YOU’RE
A GOOD MAN CHARLIE BROWN
|
Natchez Opera Festival, MS
|
|
Gilbert & Sullivan
|
Major General
|
THE
PIRATES OF PENZANCE
|
Knoxville Opera, TN (Carroll
Freeman, Dir.);
Anchorage Opera, AK (Stephen Sulich, Cond., Brad Carroll, Dir.);
Colorado Symphony (Duaine Wolfe, Cond.);
Gulf Coast Symphony, FL (Andrew Kurtz, Cond., Jonathan Loy, Dir.)
|
|
Gilbert & Sullivan
|
Ko-Ko
|
THE
MIKADO
|
Lake George
Opera (John Stephens, Dir., William Boggs, Cond.);
Anchorage Opera (Brad Carroll, Dir.);
Opera Northeast/National Savoyards (Midwest Tour)
|
|
Gilbert & Sullivan
|
Dick
Deadeye
|
H.M.S.
PINAFORE |
Anchorage Opera, AK (Daniel
Kleinknecht, Cond., Bill Fabris, Dir.) |
|
Gilbert & Sullivan
|
Sir
Joseph
|
H.M.S.
PINAFORE |
Nashville Opera (2008) (Jerome
Shannon, Cond., William Florescu, Dir.) |
|
Gilbert & Sullivan
|
Soloist
|
THE
BEST OF GILBERT & SULLIVAN
|
Erie Philharmonic, PA
Johnstown Symphony, PA
Indiana Symphony, PA
Opera Northeast (tour)
|
|
Gilbert & Sullivan
|
Soloist
|
THE
MAGIC OF G & S
|
Abilene Philharmonic, TX (Shinik
Hahm, Cond.)
|
|
Harper
|
El Greco
|
EL
GRECO +
|
Intar Theatre, NY (Off-Broadway)
|
|
Herbert
|
Hendrik
|
THE
RED MILL
|
Red Barn Playhouse, MI
|
|
Lehár
|
Njegus
|
THE
MERRY WIDOW
|
Opera East
Texas (Scott York,
Cond.);
Boston Concert Opera (Tad Motyka, Dir.);
Abilene Opera, TX (Louis Burkot, Cond. Ron Luchsinger, Dir.);
Anchorage Opera, AK (Stephen Sulich, Cond.)
|
|
Offenbach
|
Mathieu
|
LE
VIOLONEUX
|
Orch. of St. Luke’s, NY (Miguel
Harth-Badoya, Cond.)
|
|
Porter
|
Soloist
|
NIGHT
AND DAY: Songs of Cole Porter
|
Harmony Hall
Regional Center, MD |
|
Romberg
|
Benny
|
THE
DESERT SONG
|
Boston Concert Opera
(David Stockton, Cond.)
|
|
Romberg
|
Lutz
|
THE
STUDENT PRINCE
|
Natchez Opera Festival, MS
(Stanley Garner, Dir.)
|
|
Schmidt/Jones
|
El Gallo
|
THE FANTASTICKS
|
Iraklion Festival, Crete, Greece
|
|
Strauss/Korngold
|
Wesseley
|
WALZER
AUS WIEN
|
Bard Music Festival/American
Symphony Orchestra, NY
|
|
Strauss
|
Pali *
|
THE
GYPSY BARON
|
New York Philharmonic
(Kurt Masur, Cond.)
|
|
Strauss
|
Frank
|
DIE
FLEDERMAUS
|
Ensemble Theatre of Cambridge, MA
|
|
Wright
|
Pony Soldier
|
GHOST
DANCE +
|
Long Beach Civic Light Opera/NAMTP
|
| |
|
|
|
|
*
Cover |
+
Premiere |
|
| |
|
|
|
| ORATORIO/CONCERT
SOLO ENGAGEMENTS |
|
|
Bach,
J.S.
|
CANTATAS
(70+), ST. JOHN PASSION, ST. MATTHEW PASSION, B-MINOR MASS, MAGNIFICAT,
CHRISTMAS ORATORIO, MISSA BREVI
|
Orch.
of St. Luke’s “Cantatas in Context” Series (Mary Greer, Cond.); St.
Cecilia Chorus and Orchestra at Carnegie Hall, NY (David Randolph, Cond.);
Bach Vespers at Holy Trinity, NY; BachWorks,
NY (Bradley Brookshire and Anthony Newman, Conds.);
Miami Bach Society; BaroqueWorks at Merkin Hall, NY; Bach Society
of Worcester, MA; Columbia University, NY;
Bach Aria Festival and Institute, NY; Hudson Valley Chorus &
Orchestra, NY; Miami Bach
Society, FL; Boston Premiere Ensemble;
Meetinghouse Chorale, CT; Swanhurst Chorus, RI; Sarah Lawrence
College, NY; Canticum Novum, NY; Concord Chorus, MA; Long
Island Baroque, American Classical Orchestra |
|
Handel
|
MESSIAH,
JUDAS MACCABEUS, DETTINGEN TE DEUM, ISRAEL IN EGYPT, DIXIT DOMINUS,
SAMSON
|
Billings
Symphony, MT (Uri Barnea,
Cond.); Miami Bach Society, FL; Bach Society of Worcester, MA; Mid-America
Productions at Carnegie Hall, NY; Columbia University, NY; Amor Artis
(Johannes Somary, Cond.)
|
|
Haydn
|
L’ANIMA
DEL FILOSOFO (“Orfeo”); LORD
NELSON MASS, CREATION MASS, MASS IN TIME OF WAR, THERESA MASS, THE
CREATION (Adam)
|
Bard
Music Festival, NY (Leon Botstein, Cond.); St. Cecilia Chorus, NY (David
Randolph, Cond); Mastersingers of Worcester, MA;
Island Chamber Symphony,
NY; Merrimack Valley Chorale,
MA
|
|
Mozart
|
REQUIEM,
SOLEMN VESPERS, C MINOR MASS, CORONATION MASS, REGINA COELI, various MISSA BREVI |
Holy
Cross College, MA (2004 and 2006), Masterworks
Chorale, Boston (Allan Lannom, Cond.); St. Cecilia Chorus at Carnegie
Hall, 2002 (David Randolph, Cond.); New York Chamber Symphony at Alice
Tully Hall (Martin Turnovsky, Cond.); American Classical Orchestra, CT (Thomas
Crawford, Cond.)
|
|
Beethoven
|
MASS
in C
|
Tufts
University, MA
|
|
Berlioz
|
ROMÉO
ET JULIETTE
|
New
Bedford Symphony, MA
|
|
|
MESSE
SOLENNELLE
|
St.
Cecilia Chorus, NY (David Randolph, Cond.)
|
|
|
L’ENFANCE
DU CHRIST (Polydorus)
|
St.
Paul’s Chamber Orchestra, Boston
|
| Brahms |
VIER
ERNSTE GESÄNGE |
The
University of Alabama Chamber Music Series |
| Copland |
OLD
AMERICAN SONGS |
Hunter Symphony, NY
|
|
Elgar
|
CORONATION
ODE
|
Holy
Cross College Choir, Guest Artist, MA (Bruce Miller, Cond.)
|
|
Fauré
|
REQUIEM
|
Canticum
Novum (tour of France),
Concord
Chorus, MA; Newton Choral Society, MA
St. Cecilia Chorus, NY
|
|
|
CAFÉ
D’AMOUR (also
songs of Ibert, Bizet, Chausson)
|
Alaska
Dance Theater (concept by Paul Houghtaling)
|
|
Gounod
|
MESSE
SOLENNELLE |
St.
Cecilia Chorus, NY (David Randolph, Cond.)
|
|
Haydn,
Michael
|
REQUIEM
|
St.
Cecilia Chorus, NY (David Randolph, Cond.)
|
|
Mendelssohn
|
BEGRÜSSUNG
(American Premiere)
|
CUNY Graduate Center, NY
|
|
Monteverdi
|
VESPERS
|
St.
Luke in the Fields, NY; Concord Chorus, MA
|
| Puccini |
MESSA di GLORIA |
St. Cecilia Chorus (David
Randolph, Cond.)
|
|
Schubert
|
MASS
in A FLAT (No. 5),
STABAT MATER
|
St.
Cecilia Chorus (David Randolph, Cond.)
|
|
Shostakovich
|
SYMPHONY
No. 14
|
Manhattan
Virtuosi Chamber Symphony, NY (Elaine Rinaldi, Cond.)
|
|
Telemann
|
DER
SCHULMEISTER (soloist and stage director)
|
Long
Island Baroque Ensemble |
|
Thomson
|
SONGS
OF VIRGIL THOMSON
|
Harvard
Group for New Music (Gunther Schuller, Cond.)
Brooklyn Philharmonic Thomson Fest, NY (Anthony Tommasini, piano)
|
|
Vaughan-Williams
|
DONA
NOBIS PACEM |
Holy
Cross College Choir, MA, Guest Artist (Pamela Getnick, Cond.)
|
| |
|
|
|
| EARLY
MUSIC ENSEMBLES |
| |
|
|
|
|
Recordings
and performances of Medieval, Renaissance and Baroque solo and chamber repertoire throughout the United States including:
The Waverly Consort --
U.S. tours of The
Christmas Story, including Kennedy Center performances, and recording on
Waverly label.
My Lord Chamberlain’s Consort --
Performances of Renaissance lute songs (complete
books) by Dowland, Morley, Johnson and others at the Cloisters of the
Metropolitan Museum of Art and other New York and national series.
The Folger Consort --
Missa Mapa Mundi:
Spanish Music from the Age of Exploration
at the Folger Shakespeare Library, Washington, D.C.
Ensemble for Early Music --
Herod and the Innocents,
and other Fleury Playbook liturgical dramas, throughout the United States, and
in residence at the Cathedral of St. John the Divine, New York City.
Bach Vespers at Holy Trinity --
Soloist on historic Bach
Cantata series with period instrument ensemble;
second oldest series of Bach Cantatas in liturgical context in North America;
recordings on Augsburg Fortress label.
BachWorks/BaroqueWorks
--
Bach Cantata performances at Merkin and Weill
Halls, conducted by Bradley Brookshire and Anthony Newman
Clarion Music
-- Variety of Renaissance and Baroque repertoire,
conducted by Newell Jenkins and Frederick Hammond, including complete books of Monteverdi madrigals, and
productions of John Blow's Venus and Adonis at the Kaye Playhouse in New
York and Marazzoli's La Fiera di Farfa.
Les Enterprises
Occitanes -- Songs
of the Troubadours at the Cloisters of the Metropolitan Museum of Art in New
York, conceived and directed by Susan Melvoin Martin through support of
Fulbright Foundation; performed in original Provencal dialect and in new English
translations.
Long
Island Baroque Ensemble -- Across the Border, Baroque Music
from Poland in Celebration of the Founding of St. Petersburg Russia, with
members of Ensemble Rebel; solo cantatas of Bach and Telemann (soloist and stage
director)
Amor
Artis Baroque Orchestra -- Handel, Samson and Judas Maccabeus, with period instrument ensemble,
conducted by Johannes Somary
|
| |
|
|
|
|
RECORDINGS |
|
|
|
|
| |
|
|
|
|
|
Vocals |
NAQOYQATSI
(movie
soundtrack by Philip Glass)
|
Philip Glass Ensemble |
Sony |
2002 |
|
O.J.
Simpson
|
NICOLE
& THE TRIAL OF THE CENTURY
(Anthony
Newman)
|
|
Albany
Records
|
2000
|
|
Soloist |
THE
CHRISTMAS STORY |
The
Waverly Consort |
Waverly |
1999 |
|
Laughing
Sun
|
THE
WITCHES OF VENICE
(Ballet by Philip Glass/Beni Montresori)
|
La
Scala Corps de Ballet
|
Euphorbia/Looking
Glass
|
1995
|
|
Soloist
|
THE
MASK / ROMANCERO
GITANO
(Mario Castelnuovo-Tedesco)
|
New
York Concert Singers
|
New
World Records
|
1998
|
|
Soloist
|
DIVINE
GRANDEUR
(Cantatas by Robert Beaser)
|
New
York Concert Singers
|
New
World Records
|
1997
|
|
Soloist
|
RESPONSORIA
(Richard Toensing)
|
St.
Luke in the Fields
|
Albany
Records/North South
|
1998
|
|
Soloist
|
A
CEREMONY OF CAROLS
(Works of
Howells, Britten, Schütz, Scheidt and others)
|
St.
Luke in the Fields
|
Prospect
Classics
|
1997
|
|
Papageno
|
DIE
ZAUBERFLÖTE
|
Teatro Lirico d'Europa
|
Bulgarton
|
1994
|
|
Back-up
Vocals
|
VERY
(Pet Shop Boys)
|
|
EMI
|
1992
|
| |
|
|
|
|
|
CONTEMPORARY MUSIC |
|
|
|
| |
|
Premieres and performances of new works by both American and
International composers (Chambliss Giobbi, William Harper, Martin Kalmanoff,
Debra Kaye, Rodney Lister, Anthony Newman, Peter Robles, Amelia Rogers, Andy Vores, others) with several ensembles and producing organizations
including Composers in Red Sneakers, Harvard Group for New Music, Dinosaur
Annex, ALEA III, Playwright's Platform, New Dramatists, Friends and Enemies of
New Music, New Music (Boston), Nu-Classix (Boston), North/South Consonance and others.
|
| |
|
|
|
Bilbao,
Beatrice
|
MADAKA
(NY premiere)
|
American
Composers' Orchestra, Sonidos de las Americas Festival. Weill Hall at
Carnegie, NY |
Cage
|
APARTMENT
HOUSE 1776
|
Cage
Celebration (Norton Lectures w/ John Cage), Boston
|
Crumb
|
SONGS,
DRONES & REFRAINS OF DEATH
|
Alea
III, Boston (Theodore Antoniou, Cond.)
|
Davies
|
EIGHT
SONGS FOR A MAD KING
|
Alea
III, Boston;
New England Cons. Contemporary Ens., Boston
(Guest Artist, Stephen Drury, Cond.); CUNY Graduate Center (Elaine Rinaldi,
Cond.)
|
Davies
|
LE
JONGLEUR DE NOTRE DAME
|
Dinosaur
Annex, Boston
|
Davies
|
THE
YELLOWCAKE REVIEW
|
Boston
New Music Fest, staged in the Cabaret of Boston Marriott
|
|
Glass |
NAQOYQATSI (Movie
soundtrack)
|
Philip Glass Ensemble, Sony |
|
Glass |
THE
WITCHES OF VENICE
|
Looking
Glass Studios/Euphorbia
|
|
Glass
|
MARRIAGE
BETWEEN ZONES 3, 4 AND 5
|
Demo
Recording, Looking Glass
|
Ligeti
|
AVENTURES
|
New
England Conservatory Contemporary Ens., Boston
|
Koukos,
Pericles
Sirota,
Robert
Koroupos,
George
Goodman,
John
|
CONROY'S
OTHER SELVES
THE
CLEVER MISTRESS
LITTLE
RED RIDING HOOD
SIMPLE
SIMON
|
The
Kalamata Festival, The Iraklion Festival, ALEA III
Festival
of New Musicals by Greek & American Composers. Produced
for Greek National Television, Athens, Kalamata, Iraklion (Crete), Greece
|
This page was updated on 05/21/08 03:29 PM
|